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james_davis_nicoll ([personal profile] james_davis_nicoll) wrote2025-08-25 04:04 pm
Entry tags:

Bundle of Holding: Hostile (from 2022)



Hostile, the deep-space alien horror rpg from Zozer Games.

Bundle of Holding: Hostile (from 2022)
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james_davis_nicoll ([personal profile] james_davis_nicoll) wrote2025-08-25 12:27 pm
Entry tags:

Clarke Award Finalists 2011

2011: The VAT is improved by altering it from the hard to remember 17.5% to the more memorable 20%, the government continues efforts to replace the Incapacity Benefit with an alternate program in which applicants have cinderblocks dropped on them from a height and there is absolutely no news involving PM Cameron and a pig.

Poll #33534 Clarke Award Finalists 2011
Open to: Registered Users, detailed results viewable to: All, participants: 25


Which 2011 Clarke Award Finalists Have You Read?

View Answers

Zoo City by Lauren Beukes
11 (44.0%)

Declare by Tim Powers
16 (64.0%)

Generosity: An Enhancement by Richard Powers
0 (0.0%)

Lightborn by Tricia Sullivan
1 (4.0%)

Monsters of Men by Patrick Ness
2 (8.0%)

The Dervish House by Ian McDonald
7 (28.0%)



Bold for have read, italic for intend to read, underline for never heard of it.

Which 2011 Clarke Award Finalists Have You Read?
Zoo City by Lauren Beukes
Declare by Tim Powers

Generosity: An Enhancement by Richard Powers
Lightborn by Tricia Sullivan
Monsters of Men by Patrick Ness
The Dervish House by Ian McDonald
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On the DEWLine 2.0: Dwight Williams ([personal profile] dewline) wrote2025-08-24 08:21 pm

Checking In - 24 August 2025

Mostly a quiet weekend but for visitations.

Tomorrow the job search resumes.
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james_davis_nicoll ([personal profile] james_davis_nicoll) wrote2025-08-24 08:49 am

Stories of Suspense by Mary E. MacEwen



A diverting assortment of spooky stories selected by an editor about whom I could discover almost nothing.

Stories of Suspense by Mary E. MacEwen
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Siderea ([personal profile] siderea) wrote2025-08-24 07:02 am
Entry tags:

Untitled for Three Jigakkyu [music]

Yall, the bowed musical instruments have finally made it to the electronica party. This is the coolest damn thing. Audio required, video also extremely worth it if accessible. 3 min 17 sec.

2025 Aug 11: Open Reel Ensemble: "Tape Bowing Ensemble - Open Reel Ensemble":
磁気テープを竹に張って演奏する民族楽器「磁楽弓(じがっきゅう)」三重奏による調べです

This is a trio performance on the “JIGAKKYU,” a traditional folk instrument made by stretching magnetic tape across bamboo.


ETA: I want to state for the record, contrary to what a lot of commenters on YT are saying, it is not that what is cool here is just how wackily innovative it is to use a reel-to-reel this way. The only reason this is going viral is because of how musically good it is; nobody would care about it otherwise, and I submit for evidence the half century plus of prior art of abusing reel-to-reel recorders in the name of music-making you have probably never heard of, because a lot of it wasn't very compelling as music so nobody ever brought it to your attention. What's most shocking here is how musical it is, and how they use the innovation to do something new in music recognizable as such. It isn't good because it's innovative; it's innovative because it's good.

As far as I am concerned, the great problem for electronic music has always been what I think of as the Piano Problem: the music is made by operating a machine, so there's a machine between the performer and the music. Great pianists master operating the machine so beautifully they make the machine disappear. But this is what makes piano playing hard. So much of what we love in music is its organicness, the aspects of it which are so beautifully expressive because of how intimately the performer's body interacts with the instrument.

Heretofore, the only ways to bring that kind of sound to electronic instruments were to use breath controlled midi controllers (electronic woodwinds), use an electromagnetic interface (e.g. theremin), or get really fantastic on keys. Or give up and embrace the mechanical nature of the instrument and use it for repertoire the excellence of which does not rest in expressiveness (q.v. Wendy Carlos' Bach recordings).

This instrument conclusively brings the organicness of bowing and all its delicate expressiveness to electronica. The result is simply gorgeous and I hope this creative vein is further mined.
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james_davis_nicoll ([personal profile] james_davis_nicoll) wrote2025-08-23 09:20 am

Books Received, August 15 — August 22 Belated Poll

Poll #33520 Books Received, August 15 — August 22
Open to: Registered Users, detailed results viewable to: All, participants: 42


Which of these look interesting?

View Answers

The Last Woman on Earth by Bex Benjamin (September 2025)
12 (28.6%)

So Let Them Burn by Kamilah Cole (January 2024)
13 (31.0%)

Guilt by Keigo Higashino (April 2026)
8 (19.0%)

Green and Deadly Things by Jenn Lyons (March 2026)
15 (35.7%)

The River She Became by Emily Varga (June 2026)
12 (28.6%)

Some other option (see comments)
1 (2.4%)

Cats!
32 (76.2%)

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james_davis_nicoll ([personal profile] james_davis_nicoll) wrote2025-08-23 08:57 am
Entry tags:

Books Received, August 15 — August 22



Five books new to me: three fantasy, one mystery, and one science fiction. Two are series, and the other three may be stand-alone.

Books Received, August 15 — August 22
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james_davis_nicoll ([personal profile] james_davis_nicoll) wrote2025-08-22 05:47 pm
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james_davis_nicoll ([personal profile] james_davis_nicoll) wrote2025-08-22 08:54 am

Mad Sisters of Esi by Tashan Mehta



Sibling obsession and alienation shape whole cultures.

Mad Sisters of Esi by Tashan Mehta
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james_davis_nicoll ([personal profile] james_davis_nicoll) wrote2025-08-21 03:15 pm
Entry tags:
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james_davis_nicoll ([personal profile] james_davis_nicoll) wrote2025-08-21 09:28 am

Project Farcry by Pauline Ashwell



Dr. Jordan's weird kid Richard is the key to unlocking first contact... and much more.


Project Farcry by Pauline Ashwell
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Siderea ([personal profile] siderea) wrote2025-08-21 05:10 am
Entry tags:

Phone, again [me, tech]

Whelp, it looks like I'm in the market for a cell phone again.

On Saturday night, I noticed something dangling from the corner of my cell phone, which immediately struck me as odd, as there's no aperture in the protective gel case there for something to get stuck. Well, there's not supposed to be. On further inspection, I discovered the corner of the gel case no longer fit over the corner of the phone, and some random shmutzig had gotten wedged... between the back plate of the phone and the rest of the phone, to which it was no longer attached along the bottom. Pressing it back down didn't work: something in the middle of the phone was causing resistance to closing the phone.

Lo, verily, my phone's battery was pregnant.

Some of you who follow me on the fediverse might be thinking, "Wait, didn't you just replace a phone, the battery of which swelled up?" Lol, yes: late April. That was my work phone. This is my personal phone. Lolsob.

So, being a proper nerd, I went right to iFixit to order myself a battery. Whereupon I was stopped by something that did not bode well. I entered my phone's model information and iFixit, instead of telling me what battery to buy, alerted me that it is not possible to determine what kind of battery my phone took from the outside.

It turns out that the OnePlus 9 G5 can take one of two batteries, and which one a given OnePlus 9 G5 takes can only be determined by putting eyes on the battery which is in it.

Well, okay then: I clicked through the helpful link to read instructions on how to pull the battery on a OnePlus 9 G5. I read along with slow dawning horror at exactly how involved it was and how many tools I would have to buy, and made it to step twelve – "Use a Phillips screwdriver to remove the ten 3.8 mm-long screws securing the motherboard cover. One of the motherboard cover screws is covered by a white water ingress sticker. To unfasten the screw you can puncture the sticker with your screwdriver." – of thirty and decided: fuck this, I will hire a professional.

(I think maybe it was a fortunate thing that I went through the prior fiasco with trying to change the battery on the Nuu B20 5G, first, because it softened me to the idea of maybe I don't have to service all my electronics personally myself.)

Alas, it was late on a Saturday night and all the cell phone repair places around me were closed until Monday.

Fortunately, I had a short day Monday and would be getting out of work around 5:30pm. I called ahead to a place that is open to 7pm to ask if I needed an appointment and whether they did OnePlus phones. There was a bit of a language barrier with the guy who answered the phone, but he said no appointment was necessary and whether they could fix my phone would entail putting eyes on it, and please try to come before 6pm to give them time to fix it before they close.

So after work, Mr B took me there, and we presented the phone. Dude got the back of the phone the rest of the way off the phone with rather more dispatch that I would be have been able to, and pretty quickly discovered that he was in over his head. Credit where it's due – "A man's got to know his limitations" – he promptly backed off, and told me to bring it back tomorrow when the more-expert boss was in.

I'm slightly irritated that we made the unnecessary trip instead of him saying, "Oh, a OnePlus, come tomorrow when our OnePlus expert is in", but it did give me the extra time to do more thorough backing-up. I have never managed to get Android File Transfer to work, nor any a number of alternatives; snapdrop.io would only do single files at a time, not whole directories, and, weirdly, Proton Drive, both app and website, doesn't allow uploading whole directories from Android either.

Finally, I saw a mention that the Android app Solid Explorer "does FTP". I wanted to make a local backup to my Mac, but, fuck it, I have servers, I can run FTP somewhere just to get my files backed up off my phone. Imagine my surprise on opening up the "FTP" option on Solid Explorer and discovering it wasn't an FTP client it was an FTP server. Yes, the easiest way I found to exchange files between my Android phone and my MacBook Pro was to put an FTP server on my phone.

Worked fine. My FTP client on my Mac sucks, but I'll solve that another day. (Does Fetch still exist?)

Mr B and I discussed it and decided he'd bring the phone in the next day, Tuesday, to spare me the hike. He returned with the phone, still with the back off, and the news that they had discovered, as I had, you have to get at the battery to even figure out which battery to order. And that he was told that the battery would be in by 3pm the next day (Wednesday). The only surprising thing here is that they could get the battery that fast.

So, today (Wednesday), after 3pm, Mr B took my phone back for a third visit, and they attempted to install my new battery.

It was the wrong battery.

Hwaet! The saga continues... )
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On the DEWLine 2.0: Dwight Williams ([personal profile] dewline) wrote2025-08-20 07:56 pm

Star Trek Mapping: A Question of Rotarran

A StarTrek StarCharts/StellarCartography question:

I suspect that HD 29172 used to be the preferred host star for Rotarran, thanks to the Hipparcos Mission data. Gaia Mission seems to have corrected the location of that star from 204 ly from Sol to 521 ly, though.

Granted that the shows as broadcast from 2017 are mostly sticking with the XY placements of known stars as published back in 2002. That's an editorial decision I mostly accept.

Here's some of the candidates I'm looking at, encircled for your review and discussion. Among them, HD 17224 is an A0V, and the thing that gives me pause about that star is that it's over 300 ly "below" Z=0.

I'm looking for opinions, rather than definitive answers here.

An excerpt from a Work-In-Progress map of the Rotarran region of Klingon space
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james_davis_nicoll ([personal profile] james_davis_nicoll) wrote2025-08-20 04:22 pm
Entry tags:

Bundle of Holding: TinyZine



The complete four-year run of TinyZine, the tabletop roleplaying magazine from Gallant Knight Games that supports the streamlined minimalist TinyD6 rules system.

Bundle of Holding: TinyZine
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Siderea ([personal profile] siderea) wrote2025-08-20 04:45 am
Entry tags:

Admin: Patreon: What fresh hell #728, #729 [Patreon]

Yall. I am so tired.

Last thing first. Investigating the other thing, I discovered this. I'll just cut and paste what I submitted as a ticket to Patreon:
I took a break of a few months, and when I came back my fees spiked. What gives?

I just did a month (July 2025) that extremely similar to last January (2025): similar revenues (466.19 vs 458.50), similar patrons (160 vs 162). According to my "Insights > Earnings" page, my total fees went up from 11.4% to the astounding 14.6%. Drilling down, most of that is an eye-watering 3% increase of the payment fees (5.8% to 8.8%). There was also a minor increase of Patreon's platform fee from 5.6% to 5.8%.

That represents a FIFTY-TWO PERCENT INCREASE in processing fees, and a 28% increase in fees over all.

Care to explain? Was there some announced change in payment structure or payment processor fees I missed?
I have received no response.

But the other thing is this: Patreon has dropped my business model.

Apparently by accident.

When I went to Patreon to create the Patreon post for my latest Siderea Post at the end of July, I was confronted with a recent UI update. In and of itself it wouldn't have been a problem, but, as usual, they screwed something up.

They removed the affordance for a post to Patreon to both be public and paid. The new UI conflated access and payment, such that it was no longer possible to post something world-accessible and still charge patrons for it.

I found a kludge to get around it so I could get paid at all, and I fired off a support ticket asking if it was possible but unobvious, or just not possible, and if it was not possible, whether that was a policy or a mistake. I have received very apologetic reply back from Patreon support which seemed to suggest (but not actually affirm) it was an unintentional:
From what we've seen so far, the option to make a post publicly accessible while still charging members for it isn't possible in the new editor. Content within a paid post will only be available to those with paid access, and it won't show up for the public.

Other creators have reported this same issue, and I want to reassure you that I've already shared this feedback with our team. If anything changes or if this feature is brought back, I'll be sure to keep you in mind and let you know right away.
So it's not like the reply was, "Oh, yes, it was announced that we wouldn't be supporting that feature any more," suggesting, contrarily, they didn't realize they were removing a feature at all.

The support person I was corresponding with encouraged me to write back with any further questions or issues, so I did:
Hi, [REDACTED], thanks for getting back to me. I have both some more questions and feedback.

1) Question: Am I understanding correctly, that the new UI's failure to support having publicly accessible paid posts was an oversight, and not a policy decision to no longer support that business model? Like, there's not an announcement this was going away that I missed? As a blogger who often writes about Patreon itself, I'd like to be able to clarify the situation for my readers.

2) Question: Do you have any news to share whether Patreon intends to restore this functionality? Is fixing this being put on a development roadmap, or should those of us who relied on this functionality just start making other plans? Again: my readers want to know, too.

3) Suggestion: If Patreon intends to restore this functionality, given the way the new UI is organized, the way to add the functionality back in is under "Free Access > More options" there should also be a "charge for this post" button, which then ungrays more options for charging a subset of patrons, defaulting to "charge all patrons".

4) Feedback: The affordance that was removed, of being able to charge patrons for world-accessible content, was my whole business model. I'm not the only one, as I gather you already have discovered. In case Patreon were corporately unaware, this is the business model of creators using Patreon to fund public goods, such as journalism, activism, and open source software. My patrons aren't paying me to give them something; my patrons are paying me to give something to the world. Please pass this along to whomever it's news.

5) Feedback: This is the sort of gaffe which suggests to creators that Patreon is out of touch with its users and doesn't appreciate the full breadth of how creators use Patreon. It is the latest in a long line of incidents that suggests to creators that Patreon is not a platform for creators, Patreon is a platform for music video creators, and everybody else is a red-headed stepchild whom Patreon corporately feels should be grateful they are allowed to use the platform at all. It makes those of us who are not music video creators feel unwelcome on Patreon.

6) Feedback: Being able to charge patrons for world-accessible content is one of a small and dwindling list of features that differentiated Patreon from cheaper competitors. Just sayin'.

7) Feedback: I thought you should know: my user experience has become that when I open Patreon to make a post, I have no idea whether I will be able to. I have to schedule an hour to engage with the Patreon new post workflow because I won't know what will be changed, what will be broken, etc. It would be nice if Patreon worked reliably. My experience as a creator-user of your site is NOT, "Oh, I don't like the choices available to me", it's that the site is unstable, flaky, unpredictable, unreliable.
I got this response:
Hi Siderea,

Thank you so much for your thoughtful follow-up and for sharing your questions and feedback in such detail.

To address your first question, I can’t speak to whether this change was an oversight or a deliberate policy decision, but I can confirm there hasn’t been any official announcement about removing the ability to charge members for world-accessible posts. If anything changes or if we receive more clarity from our product team, I’ll be sure to keep you updated.

At this time, I also don’t have any news to share about whether this functionality will be restored or if it’s on the development roadmap.

I know that’s not the most satisfying answer, but I want to reassure you that your feedback and suggestions are being shared directly with the relevant teams. The more we can highlight how important this feature is for creators like you, the better.

Thank you as well for your suggestion about how this could be reintroduced in the UI—I’ll make sure to pass that along, along with your broader feedback about the impact on creators who fund public goods. Your perspective is incredibly valuable, and I just want to truly thank you for taking the time to lay it all out so clearly.

If you have any more thoughts, questions, or ideas, please let me know, and I’ll be happy to take a further look. I appreciate your patience and your willingness to advocate for the creator community.

All the best,
[REDACTED]
Several observations:

0) Whoa.

1) That is the best customer service response letter I've ever gotten, for reasons I will perhaps break down at some other junction. But it both does and does not read like it was written by an AI. I didn't quite know what to make of it, until someone mentioned to me the phenomenon of customer service agents at another org using AI to generate letters, and then I was like, oooooooh, maybe that's what this is. Or maybe not. Hard to say.

2) Though [REDACTED] could not confirm or deny, it sure sounds like an accident, but one that impacts such an uninteresting-to-Patreon set of creators that they can't be arsed to fix it, either in a timely way or at all.

3) "The more we can highlight how important this feature is for creators like you, the better." is a hell of a sentence. Especially in conjunction with "...along with your broader feedback about the impact on creators who fund public goods.". Reading between the lines, it sure sounds like the support people have been inundated by a little wave of outraged/anguished public-good posters, and the support people, or at least this support person, is entirely on the creators' side against higher ups brushing them off. Could be a pose, of course, but, dayum.

So that's what I know from Patreon's side.

The kludge I came up with for the post I made at the end of July is that I used another new feature – the ability to drop a cut line across a Patreon post where above it is world readable and below it is paid access only – to make a paid-access only post where 100% of the post contents are above the cut line.

Please let me know if it's not working as intended. This unfortunately has the gross effect of putting a button on my new post saying "Join to unlock".

So.

In any event, I strongly encourage those of you following me as unpaid subscribers over on Patreon to make sure you're following me, instead, here on Dreamwidth, because Patreon is flaky.

I will make a separate post with instructions as to all the ways to do that. You can get email notifications of my posts (either all or just the Siderea Posts), follow RSS and Atom feeds, get DM inbox notifications, and, of course, just follow me on your DW reading page, all on/through Dreamwidth, anonymously and completely free.
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james_davis_nicoll ([personal profile] james_davis_nicoll) wrote2025-08-19 10:14 am
Entry tags:

Five SF Works About Repurposing Organs and Other Body Parts



Sometimes organ donation is voluntary. Sometimes, people (or aliens) just take what they want.

Five SF Works About Repurposing Organs and Other Body Parts
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On the DEWLine 2.0: Dwight Williams ([personal profile] dewline) wrote2025-08-18 09:02 pm

Due South Geography Questions

Does anyone in the fandom hereabouts remember the address of Fraser's first apartment building, as well as the general neighbourhood of same?

I'm thinking this is a thing that must be added to The Atlas of Imagined Cities, and it didn't get included in the Chicago section.